On Thursday I went to a concert, Otto von Schirach, and Zu for Hydrozagadki.
concert was supposed to start at 21:00 or 21:30. That by 21, gave the website. That at 21:30, leaflet. You see, no one, not attached to that too much significance, because it started after the 22nd
first artist played 50 minutes, and then there was the same lasting break. During a break in the club music was coming from the disc, some people were in the middle, some went outside the building - to smoke cigarettes, get in groups and talk, sit on curbs. So we
outside, hoping that, as the concert starts back up, it will be heard. And indeed, around 23:30 louder sounds can be heard free-jazz saxophone - a sign that the band begins to play. So we enter. All are guided into a scene at a concert because you have to be under the stage, the same rule as the savoir-vivre'owa rule in opera costume. Some of the dance scene, others only to gibają, others only slightly nodding his head, but we all face. Seats are located behind and under the walls, and there's nothing you can see, hear worse. Unfortunately So the stage is less intense participation and thus ignoring the music. And since I'm passing music, then why come to the concert? Show up? Piss on club gigs of music is not in good taste.
So we face. We look forward to, because the sounds of saxophone was a false alarm: the artists only began to tune and agree with the sound engineers sound their instruments (this is a mystery, why did not they do this for the last 40 minutes when we were outside). Nastroiwszy to exit the stage. What baseness. But no longer profitable to propagate, so we wait standing. Fortunately for the 10 minutes the band Zu artists come back and the concert begins. It is 23:50.
From 21:00, the concert was supposed to start, it's been 2 hours 50 minutes. During this time the artists performed only for 50 minutes. The event, to the end of the last two concerts, took about 3 hours and 30 minutes and consisted of 60% of waiting.
Lateness and constant state - that bother me most at this concert. With all the strength I noticed those annoying and inseparable elements of a concert at the club, for the first time since I've been a long time the club gig.
If any reader happens not at concerts in clubs, then repeat concerts in clubs always start with the most frequently missed, and stands up for them . And the first and second disturbing feature of wiązałabym the punk attitude of counter-cultural tone, preaching the fallacy of ignoring the middle class, such as punctuality and bourgeois comfort as sitting.
Standing at the concerts also has another meaning, deeper than simple opposition to the hitherto known forms of bourgeois and standards. Sitting at the Philharmonic had a body off and facilitate the intellectual and emotional perception of music. The music was after all considered to be the purest of the arts: intangible, can arrogate to themselves the absoluteness. Music, played in clubs, contests, such an approach. It originated from rock and blues, and - as one - physical extents participation, physical perception of music. The latter is also related to the volume of music in the clubs - always such that the sound ogłuszał, put in your stomach and the vibrations move trouser legs.
All this - become meaningless, late, too much volume - only a guess. Because they became a tradition blindly replicated, it does not kontestatorską because, as tradition may be kontestatorska? In any event, in this case certainly is just stupid and penerska .
If I could choose, for which I am honored custom to use, it would prefer mindlessly stick to the rules of savoir-vivre'owych than mindlessly stick to their violations. Agreed, punctuality is neither pleasant nor fun. It sztywniacka. A bit like standing in line. But without such rules, as no watches, life would be heavier and more stressful. Annoy me so I ignore the rules of punctuality at concerts in clubs. Punctuality is not cool, but even less cool to wait for hours for a concert!
Aha. Zu and Otto von Schirach are doing really great music. I went to the concert, because I knew that we abolish this whole club PENERSTWO for the sake of Otto. Guessed that the Zu too, although I have not seen before live. Otto is truly unique in how the links break and a metal core, is a unique portion of bad taste and parody of popular culture, which serves von Schirach. Worth every waiting is to see him, as she dances her amazing dance, inspired by the scenic performance'ami pop stars, but far from their aluzyjnego spasms breasts and torsos.
There is no network or movie images that it would capture the dance of Otto von Schirach, but listen to the music: "Tea Bagging The Dead" , "La Sangre Del Dedo Intelecto" or "Dance Like a Hoe" .
concert was supposed to start at 21:00 or 21:30. That by 21, gave the website. That at 21:30, leaflet. You see, no one, not attached to that too much significance, because it started after the 22nd
first artist played 50 minutes, and then there was the same lasting break. During a break in the club music was coming from the disc, some people were in the middle, some went outside the building - to smoke cigarettes, get in groups and talk, sit on curbs. So we
outside, hoping that, as the concert starts back up, it will be heard. And indeed, around 23:30 louder sounds can be heard free-jazz saxophone - a sign that the band begins to play. So we enter. All are guided into a scene at a concert because you have to be under the stage, the same rule as the savoir-vivre'owa rule in opera costume. Some of the dance scene, others only to gibają, others only slightly nodding his head, but we all face. Seats are located behind and under the walls, and there's nothing you can see, hear worse. Unfortunately So the stage is less intense participation and thus ignoring the music. And since I'm passing music, then why come to the concert? Show up? Piss on club gigs of music is not in good taste.
So we face. We look forward to, because the sounds of saxophone was a false alarm: the artists only began to tune and agree with the sound engineers sound their instruments (this is a mystery, why did not they do this for the last 40 minutes when we were outside). Nastroiwszy to exit the stage. What baseness. But no longer profitable to propagate, so we wait standing. Fortunately for the 10 minutes the band Zu artists come back and the concert begins. It is 23:50.
From 21:00, the concert was supposed to start, it's been 2 hours 50 minutes. During this time the artists performed only for 50 minutes. The event, to the end of the last two concerts, took about 3 hours and 30 minutes and consisted of 60% of waiting.
Lateness and constant state - that bother me most at this concert. With all the strength I noticed those annoying and inseparable elements of a concert at the club, for the first time since I've been a long time the club gig.
If any reader happens not at concerts in clubs, then repeat concerts in clubs always start with the most frequently missed, and stands up for them . And the first and second disturbing feature of wiązałabym the punk attitude of counter-cultural tone, preaching the fallacy of ignoring the middle class, such as punctuality and bourgeois comfort as sitting.
Standing at the concerts also has another meaning, deeper than simple opposition to the hitherto known forms of bourgeois and standards. Sitting at the Philharmonic had a body off and facilitate the intellectual and emotional perception of music. The music was after all considered to be the purest of the arts: intangible, can arrogate to themselves the absoluteness. Music, played in clubs, contests, such an approach. It originated from rock and blues, and - as one - physical extents participation, physical perception of music. The latter is also related to the volume of music in the clubs - always such that the sound ogłuszał, put in your stomach and the vibrations move trouser legs.
A late? I said jokingly that it is a radicalism bourgeois superstition, called punctuality. But punctuality is not a superstition, but truly remarkable rule, which organizes social life, because it allows you to synchronize their actions with other people. The clock on the church tower was an invention that revolutionized the medieval city.
But in concert the timeliness is not valid and no longer know who is guilty. The audience comes too late, because he knows that the concerts start slipping. Pubs wait for the audience will come. Another interpretation: wait People will spend money at the bar. In this case, the musicians do not feel especially obliged to be punctual. All this - become meaningless, late, too much volume - only a guess. Because they became a tradition blindly replicated, it does not kontestatorską because, as tradition may be kontestatorska? In any event, in this case certainly is just stupid and penerska .
If I could choose, for which I am honored custom to use, it would prefer mindlessly stick to the rules of savoir-vivre'owych than mindlessly stick to their violations. Agreed, punctuality is neither pleasant nor fun. It sztywniacka. A bit like standing in line. But without such rules, as no watches, life would be heavier and more stressful. Annoy me so I ignore the rules of punctuality at concerts in clubs. Punctuality is not cool, but even less cool to wait for hours for a concert!
Aha. Zu and Otto von Schirach are doing really great music. I went to the concert, because I knew that we abolish this whole club PENERSTWO for the sake of Otto. Guessed that the Zu too, although I have not seen before live. Otto is truly unique in how the links break and a metal core, is a unique portion of bad taste and parody of popular culture, which serves von Schirach. Worth every waiting is to see him, as she dances her amazing dance, inspired by the scenic performance'ami pop stars, but far from their aluzyjnego spasms breasts and torsos.
There is no network or movie images that it would capture the dance of Otto von Schirach, but listen to the music: "Tea Bagging The Dead" , "La Sangre Del Dedo Intelecto" or "Dance Like a Hoe" .
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