pouch sewn to the raw linen, quilted, it can be used to store trinkets nice :
Monday, January 31, 2011
How To Host A Big Baby Shower
pouch sewn to the raw linen, quilted, it can be used to store trinkets nice :
How To Expand Internal Usb Connection
Knyś not exist, but I like them
"A few days ago I clicked on the movie on You Tube'ie, after which I expected the opportunity to pośmiania. His name was 'sex Volcano Irish dancing ' and depicted dressed in pink tipsiarę who dances on the village courtyard behind the house, in the background you can see some rudero-building. The movie was obviously an amateur. But before by thinking 'haha, probably overdosed on watching You can dance ' stopped me with his narrative structure. Behind the camera is someone - a woman - which mocks the bouncing tipsiary (it turns out that the pink lady's name is Claudia). 'Hahaha, nnno, almost good, almost good hands with him, obciągnij fingers',' do not you go? Because I do not try! ".
course after the final text no longer was no question about it, I mocked with Claudia. Instead, I considered it to be kafkowskiego character voices at bay causing a feeling of guilt. That despite the constant criticism Claudia dancing and this still puts videos on You Tube, I consider it an act of heroism.
On the wave of emotion and identify themselves watched all the videos of the Sisters of Knyś. It turned out that the persecutor of the 'Volcano Irish dancing sex' was Jolly, sister Claudia. That actually both afraid of ridicule, are ambitious and clever. " They make videos, to present their dance and vocal talents, but these videos are usually collapsed after a half minutes, because the girls are incredibly autoironiczne.
I liked it too, that the sisters Warsaw is the axis mundi , zmitologizowanym center of the world. We are constantly mention it - and that, in Warsaw, they laugh, and this is something that will surely be appreciated in Warsaw. They feel that they live in the countryside with your pointless lives, propels them to just think about that elsewhere - in the metropolis - is the meaningful life. This is reflected well in this video 'shock in the greenhouse. "
Watching Video tematyzowałam all these topoi. Metropolis as a promised land, two sisters - Claudia and her evil doppelganger Jolly. I saw a paralelisms construction of the various clips, such as this autoironiczny decay. In this way, slowly recovering from the inevitable conclusion that the ease with which I see all these topoi and paralelisms, is suspicious. That clarity (perhaps density) clips sisters no evidence of the genius of girls from the provinces, but that watching fejk.
Well, actually, was a hoax. Matilda Damięcka Klaudę game, and Jolly - Agata Sasinowska. I was so mad, when they knew it. Just as angry were the people who have swindled a few years ago on Lonelygirl15 - the author youtube'owych home videos that have been proven in production by the staff writers, television production emitted on youtube. They said: 'You Tube's not for the fake stuff! It's for real stuff! " ( An Anthropological Introduction to You Tube Michael Welsch, 38:57). In the case of the Sisters of Knyś situation is similar and probably is also a TV behind the cinematics - in the past 'episodes' sisters are already in Warsaw and looking for a seat TVN to meet someone famous there, so probably in a few days, when the Horn of popularity to increase even more, will enter into Good Morning TVN .
But actually, why the anger? Nobody likes to be cheated, but what the scam? Ontological status of the girls before the camera? Instead of a celebration so indignant that someone had broken the pact of being authentic on You Tube and signals used amatorskości (badly recorded sound, random events and things in the background) as the language of film, we might draw the moral that it might not be until such fraud. Finally, the authenticity it is always constructed, and whether Siostryknys Lonelygirl15 is only a special case of this design - especially refined in meaning that he was created by professionals, not a teenage amateur.
So does all literature: it creates a fictitious, but truer than true, bordered with a thick contour lines, drawn within the topoi and mythologies, vivid. Undoubtedly, it is easier to identify with them, to feel sympathy for them than the characters from the amateur texts, with a CV or with family photos. But the difficulty is a frame (the place or manner of publication), which indicates that we are dealing with fiction, recalls that the person you know - even if it was even nice as the two sisters Knyś together - does not exist.
hide the frame, although at the moment is a precious moment. In contact with naive inventor can afford to be naive recipient: a fondness for the hero, wish him well, and weeping, when he did not flood. Is also an invaluable opportunity to re, the second reading, which rapidly becomes apparent that we were dealing with a hoax, hoaxes because they are instructive. This teaches us that we like the stories of ambitious and talented girls from the provinces, that the search for authenticity can not be so easily rooted out, that literature is still trying to cross itself and avoid the fiction and literature, so at least we like to read and watch such films like: I think both reports, as well as scientific, though traffic in the book Kępiński ethical topics; reality show and youtubowe hoaxes.
should have corrected the title phrase. As the sisters Knyś no, I can not just like it. Now, rather appreciate the idea of \u200b\u200bintroducing a public awareness through a series of amateur video clips on their way; I like a people who invented the story of sisters Knyś. Although I do not know who these people are. Channel Sisters
Knyś: http://www.youtube.com/user/SiostryKnys . "
course after the final text no longer was no question about it, I mocked with Claudia. Instead, I considered it to be kafkowskiego character voices at bay causing a feeling of guilt. That despite the constant criticism Claudia dancing and this still puts videos on You Tube, I consider it an act of heroism.
On the wave of emotion and identify themselves watched all the videos of the Sisters of Knyś. It turned out that the persecutor of the 'Volcano Irish dancing sex' was Jolly, sister Claudia. That actually both afraid of ridicule, are ambitious and clever. " They make videos, to present their dance and vocal talents, but these videos are usually collapsed after a half minutes, because the girls are incredibly autoironiczne.
I liked it too, that the sisters Warsaw is the axis mundi , zmitologizowanym center of the world. We are constantly mention it - and that, in Warsaw, they laugh, and this is something that will surely be appreciated in Warsaw. They feel that they live in the countryside with your pointless lives, propels them to just think about that elsewhere - in the metropolis - is the meaningful life. This is reflected well in this video 'shock in the greenhouse. "
Watching Video tematyzowałam all these topoi. Metropolis as a promised land, two sisters - Claudia and her evil doppelganger Jolly. I saw a paralelisms construction of the various clips, such as this autoironiczny decay. In this way, slowly recovering from the inevitable conclusion that the ease with which I see all these topoi and paralelisms, is suspicious. That clarity (perhaps density) clips sisters no evidence of the genius of girls from the provinces, but that watching fejk.
Well, actually, was a hoax. Matilda Damięcka Klaudę game, and Jolly - Agata Sasinowska. I was so mad, when they knew it. Just as angry were the people who have swindled a few years ago on Lonelygirl15 - the author youtube'owych home videos that have been proven in production by the staff writers, television production emitted on youtube. They said: 'You Tube's not for the fake stuff! It's for real stuff! " ( An Anthropological Introduction to You Tube Michael Welsch, 38:57). In the case of the Sisters of Knyś situation is similar and probably is also a TV behind the cinematics - in the past 'episodes' sisters are already in Warsaw and looking for a seat TVN to meet someone famous there, so probably in a few days, when the Horn of popularity to increase even more, will enter into Good Morning TVN .
But actually, why the anger? Nobody likes to be cheated, but what the scam? Ontological status of the girls before the camera? Instead of a celebration so indignant that someone had broken the pact of being authentic on You Tube and signals used amatorskości (badly recorded sound, random events and things in the background) as the language of film, we might draw the moral that it might not be until such fraud. Finally, the authenticity it is always constructed, and whether Siostryknys Lonelygirl15 is only a special case of this design - especially refined in meaning that he was created by professionals, not a teenage amateur.
So does all literature: it creates a fictitious, but truer than true, bordered with a thick contour lines, drawn within the topoi and mythologies, vivid. Undoubtedly, it is easier to identify with them, to feel sympathy for them than the characters from the amateur texts, with a CV or with family photos. But the difficulty is a frame (the place or manner of publication), which indicates that we are dealing with fiction, recalls that the person you know - even if it was even nice as the two sisters Knyś together - does not exist.
hide the frame, although at the moment is a precious moment. In contact with naive inventor can afford to be naive recipient: a fondness for the hero, wish him well, and weeping, when he did not flood. Is also an invaluable opportunity to re, the second reading, which rapidly becomes apparent that we were dealing with a hoax, hoaxes because they are instructive. This teaches us that we like the stories of ambitious and talented girls from the provinces, that the search for authenticity can not be so easily rooted out, that literature is still trying to cross itself and avoid the fiction and literature, so at least we like to read and watch such films like: I think both reports, as well as scientific, though traffic in the book Kępiński ethical topics; reality show and youtubowe hoaxes.
should have corrected the title phrase. As the sisters Knyś no, I can not just like it. Now, rather appreciate the idea of \u200b\u200bintroducing a public awareness through a series of amateur video clips on their way; I like a people who invented the story of sisters Knyś. Although I do not know who these people are. Channel Sisters
Knyś: http://www.youtube.com/user/SiostryKnys . "
above text published here on January 11, several days later it took off, because my post was on the first page search engine and is influenced heavily by the phenomenon described. The people linked it as a proof that the sisters are Knyś hoax. this was not my intention - I wanted to kindly describe him, not destroy describing. So I deleted.
throw back to the text, because it seems that my text does not spoil anything anymore: googiel already knows, moreover, that it was a hoax. Wikipedia says that the sisters Knyś a "web series on YouTube." But this is again only a guess, it really is still the same message. It is known that a hoax, but I do not know who and what it does: for commercial purposes? research? Artistic?
throw back to the text, because it seems that my text does not spoil anything anymore: googiel already knows, moreover, that it was a hoax. Wikipedia says that the sisters Knyś a "web series on YouTube." But this is again only a guess, it really is still the same message. It is known that a hoax, but I do not know who and what it does: for commercial purposes? research? Artistic?
Friday, January 28, 2011
Does Tia Mowry Have Weave?
Short quilted bag apron
I made a short apron made from 100% cotton fabrics in red krateczkę.
on either side pockets, apron trimmed with lace, decorated with cotton lace and ribbon with teeth.
I made a short apron made from 100% cotton fabrics in red krateczkę.
on either side pockets, apron trimmed with lace, decorated with cotton lace and ribbon with teeth.
Thursday, January 27, 2011
Tuesday, January 25, 2011
How To Masterbate At University
On Valentine's Day is not the one who is aging is no time ...
And I just lack the time, I will be forever young ...
No time for blogging, in the course browse my favorite blogs, I admire your new work.
But enough complaining, the year started, I need to slow down, flies by and did not have time
even notice ... I have to learn how to plan your day, week, month. Organization is the key, and I miss it, and I know it well ...
I want to show you some aprons, which rose up in my studio, yet similar fasonu, but working on it ... All aprons trimmed with lace, decorated with cotton koroneczkami, decorative ribbons.
And I just lack the time, I will be forever young ...
No time for blogging, in the course browse my favorite blogs, I admire your new work.
But enough complaining, the year started, I need to slow down, flies by and did not have time
even notice ... I have to learn how to plan your day, week, month. Organization is the key, and I miss it, and I know it well ...
I want to show you some aprons, which rose up in my studio, yet similar fasonu, but working on it ... All aprons trimmed with lace, decorated with cotton koroneczkami, decorative ribbons.
Wednesday, January 19, 2011
How Many Calories Does Brownies Have
Rafal Karcz, painter: stills and photos from the life of subcultures
Technically this is achieved by combining screen printing with watercolors. More important, however, is the meaning of this gesture: it emphasizes digital zapośredniczenie between "analog" experience - the experience of the concert, clubbing, afterparty, to witness the car bumps or riots - and an analog image of the painting. The latter is, moreover, then photographed and thrown on Flickr, so here goes back to the network, a digital reality.
Karcz resigns contradictive, shocking aesthetics, which handling the subculture portrayed by him: only refers to them, using them in milder forms. Karcz images are full of painterly surface roughness. There are clashes of colors, is the articulation of digital imperfections that can be understood as analogous terms of creative uses of amplification and processing sound: microphones, megaphones, overdrives and rock guitar feedback.
artist paints people in the crowd (series Revolt , U-Bahn ) and metropolitan areas, industrial landscapes. Most, however, his paintings reflect the life style of alternative cultures, hippie, punk, hip-hop. He is interested in their decadence: the moment when the revolutionary ideals are now abandoned, and the same moves, they penetrate the "system" are just an alternative lifestyle, one of many.
he portrays the subculture as a botanist-illustrator, creating illustrated atlas of plants: specimens collected, and redraw them to show them as examples of species lifestyle: party, concert, ways of listening to music, how to dance, afterparty, taking drugs, wandering aimlessly.
Concert , Faces , Bronx Fest, Hip Hop - Titles Karcz images appear in the name of a very general genre. I teams, and people in the crowd in the paintings are anonymous, introduced without proper names, deprived of stored in the appearance of individual and personal information, such as team name or brand of clothes Free member, are brought back to the representatives of the species. Perhaps thanks to this generalization visual images Karcz verdict of no force, but rather to show the beauty of this strange world.
He gives an account of the disaster antisystemic utopias, which were an alternative culture, portraying them as areas for busy playing games, painting them in a bit too populist, because the watercolors, which are close to bourgeois taste. But it does not judge. And rightly so, because these utopias, could not bear defeat. As explained by the authors of the book of counterculture rebellion for sale. Why culture is not possible to drown (Joseph Heath and Andrew Potter. Crowd. Hanna Jankowska. Warszawa: Muza 201o, Series Spectrum), if the "system", which fought subculture is a system of culture, it simply does not escape from it. You can not live outside it. This is why the subcultural alternative - usually determined by where they considered themselves as those roads that can get away from consumerism - invariably ended up as suppliers of brand names for antykonsumpcyjnych goods that are ideal to sell. History popularity postpunkowego grunge'uw years 90. (Led by Nirvana) is an excellent example of this mechanism.
Coming back to the topic of the media: topics that take Karcz, are the subjects of photography, the shots are also taken from this medium. What is not surprising if we remember that the artist przemalowuje Still with You Tube'a that - even as an ingredient in a film sequence of moving images - must retain the aesthetics of photography. Karcz moved to nobler themes popular medium, made by documentary photography, not painting: hip-hopowców gestures, gestures punk band musicians; faces: tired during the afterparty, listening intently during a concert; riots. He paints a postmodern - media-mediated, although seemingly traditional, because watercolor - scenes from the life of the metropolis.
Rafal Karcz Works found on the Internet: its two hundred high-resolution images is "hanging" on Flickr , articles about him are gathered on his home page , his work can also hit the auction sites with art. Rafal Karcz
lives and paints in Krakow, near Krakow, in fact, in Bronowice. "I'm sitting there, and corresponds with the world. Environment and smack me in Cracow, in short, I will too, "says in an interview . Bilateral ignoring the kind does not mean marginalization Karcz, who paints a lot and a lot of issues - the same only in 2009 and 2010 was sixteen individual and collective exhibitions. Bronowice are Karcz located on the Internet rather than near Krakow.
Karcz That makes an artist very modern (and postmodern technically speaking), although such a classification does not suggest the art field, which grows: Karcz creates watercolors (yes, these are the images created using mixed techniques), is a member of the Association of Pastel Polish and American in short, operates with traditional tools. But more important and more interesting for me is that the subjects for his paintings Karcz is typically in the network: he paints stills from videos to You Tube, with photos of teams and their fans. He has created images are thus in a trace Internet and functioning in its photographs: the new media makes present in the subject, composition and method of processing photos, or freeze the picture painter.
In many of his works Karcz play digital dirt, the pixels from low resolution video clips, computer print imperfections.
lives and paints in Krakow, near Krakow, in fact, in Bronowice. "I'm sitting there, and corresponds with the world. Environment and smack me in Cracow, in short, I will too, "says in an interview . Bilateral ignoring the kind does not mean marginalization Karcz, who paints a lot and a lot of issues - the same only in 2009 and 2010 was sixteen individual and collective exhibitions. Bronowice are Karcz located on the Internet rather than near Krakow.
Karcz That makes an artist very modern (and postmodern technically speaking), although such a classification does not suggest the art field, which grows: Karcz creates watercolors (yes, these are the images created using mixed techniques), is a member of the Association of Pastel Polish and American in short, operates with traditional tools. But more important and more interesting for me is that the subjects for his paintings Karcz is typically in the network: he paints stills from videos to You Tube, with photos of teams and their fans. He has created images are thus in a trace Internet and functioning in its photographs: the new media makes present in the subject, composition and method of processing photos, or freeze the picture painter.
In many of his works Karcz play digital dirt, the pixels from low resolution video clips, computer print imperfections.
Technically this is achieved by combining screen printing with watercolors. More important, however, is the meaning of this gesture: it emphasizes digital zapośredniczenie between "analog" experience - the experience of the concert, clubbing, afterparty, to witness the car bumps or riots - and an analog image of the painting. The latter is, moreover, then photographed and thrown on Flickr, so here goes back to the network, a digital reality.
Karcz resigns contradictive, shocking aesthetics, which handling the subculture portrayed by him: only refers to them, using them in milder forms. Karcz images are full of painterly surface roughness. There are clashes of colors, is the articulation of digital imperfections that can be understood as analogous terms of creative uses of amplification and processing sound: microphones, megaphones, overdrives and rock guitar feedback.
artist paints people in the crowd (series Revolt , U-Bahn ) and metropolitan areas, industrial landscapes. Most, however, his paintings reflect the life style of alternative cultures, hippie, punk, hip-hop. He is interested in their decadence: the moment when the revolutionary ideals are now abandoned, and the same moves, they penetrate the "system" are just an alternative lifestyle, one of many.
he portrays the subculture as a botanist-illustrator, creating illustrated atlas of plants: specimens collected, and redraw them to show them as examples of species lifestyle: party, concert, ways of listening to music, how to dance, afterparty, taking drugs, wandering aimlessly.
Concert , Faces , Bronx Fest, Hip Hop - Titles Karcz images appear in the name of a very general genre. I teams, and people in the crowd in the paintings are anonymous, introduced without proper names, deprived of stored in the appearance of individual and personal information, such as team name or brand of clothes Free member, are brought back to the representatives of the species. Perhaps thanks to this generalization visual images Karcz verdict of no force, but rather to show the beauty of this strange world.
He gives an account of the disaster antisystemic utopias, which were an alternative culture, portraying them as areas for busy playing games, painting them in a bit too populist, because the watercolors, which are close to bourgeois taste. But it does not judge. And rightly so, because these utopias, could not bear defeat. As explained by the authors of the book of counterculture rebellion for sale. Why culture is not possible to drown (Joseph Heath and Andrew Potter. Crowd. Hanna Jankowska. Warszawa: Muza 201o, Series Spectrum), if the "system", which fought subculture is a system of culture, it simply does not escape from it. You can not live outside it. This is why the subcultural alternative - usually determined by where they considered themselves as those roads that can get away from consumerism - invariably ended up as suppliers of brand names for antykonsumpcyjnych goods that are ideal to sell. History popularity postpunkowego grunge'uw years 90. (Led by Nirvana) is an excellent example of this mechanism.
Coming back to the topic of the media: topics that take Karcz, are the subjects of photography, the shots are also taken from this medium. What is not surprising if we remember that the artist przemalowuje Still with You Tube'a that - even as an ingredient in a film sequence of moving images - must retain the aesthetics of photography. Karcz moved to nobler themes popular medium, made by documentary photography, not painting: hip-hopowców gestures, gestures punk band musicians; faces: tired during the afterparty, listening intently during a concert; riots. He paints a postmodern - media-mediated, although seemingly traditional, because watercolor - scenes from the life of the metropolis.
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